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By Patricia Pisters

Arguing that state-of-the-art audience go through a character's mind rather than searching through his or her eyes or psychological panorama, this publication ways twenty-first-century globalized cinema during the suggestion of the "neuro-image." Pisters explains why this idea has emerged now, and she or he elaborates its threefold nature via learn from 3 domains—Deleuzian (schizoanalytic) philosophy, electronic networked monitor tradition, and neuroscientific learn. those domain names go back within the book's tripartite constitution. half One, at the mind as "neuroscreen," indicates wealthy connections among movie conception, psychological disease, and cognitive neuroscience. half explores neuro-images from a philosophical point of view, paying shut cognizance to their ontological, epistemological, and aesthetic dimensions. Political and moral points of the neuro-image are mentioned partly 3. subject matters lined alongside the way in which contain the omnipresence of surveillance, the blurring of the fake and the true and the affective powers of the neo-baroque, and using neuro-images in politics, old reminiscence, and war.

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The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture (Cultural Memory in the Present) by Patricia Pisters

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